Monthly Archives: July 2010

Asser Levy Pool Revisted

The 20x24 Polaroid Camera. Photo courtesy 20x24 Studio.

On Friday, I will be taking this huge camera to a NYC public pool to continue a personal project that began in 1995.  Last Fall, Jennifer Trausch, Director of Photography at 20×24 Studio, and I began talking about me shooting with one of the few 20” x 24” Polaroid cameras still around.  In case you don’t know of it, 20×24 Studio is the famed Polaroid studio where the likes of Chuck Close, William Wegman and many others, (including, most recently, Lady Gaga)(!) have created the large, familiar instant photographs.  When Polaroid went defunct, 20×24 Studio purchased one of the five 20×24 instant film cameras in existence, the remaining stock of instant film and rights to the chemical formulas.

Untitled, from Asser Levy Pool. 1995.

Over the last few months I have tried to imagine what I would shoot with this camera.  Considering the preciousness of every sheet, I wanted the relative security of pointing the camera at stuff I knew would be interesting, but with that security comes the risk of the picture becoming staid and predictable.  I considered (briefly) shooting in the studio, but luckily, Trausch, an intrepid photographer in her own right was totally game for doing several locations on the street and encouraged me to continue considering uncontrolled situations.  I have been wanting to revisit my Asser Levy Pool series, shot in 1995 at the public pool by the same name on 23rd and FDR Dr in Manhattan.  Shot all in black and white, the series has always been close to my heart as it was the first project that I photographed with an 8×10 camera.  Half thinking the Parks Dept—notorious for denying permission to the public pools—wouldn’t go for it, I submitted the permit with examples of the work from 1995 and was thrilled when they approved my permit for this Friday.

Untitled, from Asser Levy Pool. 1995.

I remember how awkward an 8×10 camera seemed to me back in 95, trying to capture moments at a NYC public pool.  I imagine after this Friday, my 8×10 will seem like a toy.  Btw, from my understanding, the challenge in shooting outside with ultra large Polaroid in direct sunlight—especially at a pool that has glare from the water bouncing up from below—is that the camera has to be opened to cut the roll and handle the chemicals inside.

We plan on shooting roughly from 1pm to 4pm this Friday, July 30 on the corner of 23rd St and the FDR drive.  So if you are in the city, come and check it out!

All content and images unless otherwise noted © Greg Miller.

Fireworks

Here’s something I didn’t photograph with an 8×10 camera.  The family and I were at a little carnival near here where they featured fireworks.  I found it meditative and wonderful.

Last Chance: In leaves no step had trodden black

Hillsboro Pike, 2008.

Closing tomorrow is the exhibit, “In leaves no step had trodden black,” curated brilliantly by Eric Weeks, fellow SVA alumni.  If you are in the city it is worth a look.  I am very happy that Eric included my picture of the minister walking to his church from my Nashville series.  Below is the short write up from the SVA blog, Visual Arts Briefs:

On the east side of the SVA campus, the SVA Gallery, 209 East 23rd Street, is hosting “In leaves no step had trodden black,” an exhibition of work by selected alumni of the BFA Photography Department. The title borrows a line from the Robert Frost poem “The Road Not Taken,” suggesting the innumerable possibilities of implied narrative within the photography included in the exhibition. “In leaves no step had trodden black” runs through Tuesday, July 20, and a reception for the artists takes place July 6, 6 – 8pm.

Drive-in

Waiting for Toy Story 3, 2010.

I have started a new project photographing people waiting for drive-in movies to begin.  I will be posting more of these in the coming weeks.

All images and content unless otherwise noted © Greg Miller

7:17

Charlotte Ave., 2008.

Charlotte Ave., 2008.

My good friend Lois, photographs with a 7″x 17″ banquet camera.  We went on a road trip together once where we noticed the readout on the digital clock in her truck read 7:17.  After that, it seemed that we began looking at the clock precisely at 7:17 throughout the trip.  It got a little spooky.  And it doesn’t seem to work on 8:10, 4:05, or 1:35 let’s say.  There is something kind of magical or lucky about 7:17.  Perhaps because it occurs in the golden light of the summer twice a day in the morning and evening.  As nerdy as that may all sound, it stuck.  And it has become tradition every July 17th, for Lois’s friends to call her and wish her a happy July 17th on what we now affectionately call her name day.

All images and content unless otherwise noted © Greg Miller

Size Doesn’t Matter

I am just finishing up a job in San Diego this week and was reminded of belief that tripods for large format cameras should be… well.. large too.  It makes perfect sense if you think about it.  It’s a big camera, wouldn’t you want something sturdy under it?  And I am reminded of so many visits to camera stores where the well meaning salesperson was trying to suggest a tripod two sizes bigger than I would need.  But why would you want to make a heavy camera heavier?  I feel like there would be more large format photographers if it wasn’t made out to be such a macho sport.  I talk a lot about the camera but making pictures has nothing to do with the camera…  it has to do with how you see.  If you see what you want, the camera, whatever it’s size, disappears.

All images and content unless otherwise noted © Greg Miller

Sultry II

Fiumefreddo Bruzio, 2001. Photograph ©Greg Miller

I am included in the Sultry II show at Kris Graves Projects opening tonight.  It includes  a star studded cast including my mentor Lois Conner as well as  Matthew Pillsbury also a former student of Lois’s.  In addition to yours truly, here is the roster:  Jowhara Al Saud, Michael Cardinali, Daniell Cohen, Lois Conner, Jon Feinstein, Jason Hanasik, Gabriela Herman, K Yoland M, Matt Licari, Eduardo Lopez, Matthew Pillsbury, Manjari Sharma, Rafael Soldi, Brea Souders & Sari Wynne.

6:00pm – 9:00pm Kris Graves Projects, 111 Front St., Gallery 224, Brooklyn, NY  11201

I plan on attending so I hope to see you there!

All images and content unless otherwise noted © Greg Miller