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ESPN Mag: Last Time They Met

Brian Downing at his home in Smiths Station, Alabama.

In late September, ESPN Photo Editor, Jim Surber asked me to photograph the two men caught up in the now infamous video that shows Brian Downing “teabagging” Garrison Stamp who passed out at a Bourbon Street Krystals in New Orleans after last year’s trouncing of LSU by Alabama. This story, written by Mark Winegardner, part of ESPN’s, One Day, One Game issue, examines what happened that day and the fallout for Downing and Stamp as well as their families in the aftermath of the viral video.

One Day, One Game, November 26, 2012 Issue of ESPN.

To be honest, until I got this assignment, I had not seen the video or even heard about it. I am not a huge fan of football or of viral videos for that matter. I watched about a minute of it and didn’t need to see any more. It is painful to watch. Painful, as many people have said, because no one, not even Downing’s friends, stopped to help Stamp (or Downing). And painful, especially once you meet them both, to see how two people’s lives can be irrevocably changed in today’s world, not because of football and not because of alcohol (although partly), but because of the internet.

In the story, Winegardner describes the moment when Downing and his wife are headed to Target and the video goes viral:

On the way, as they cross the Chattahoochee River, Brian’s cell rings. It’s his sister’s husband.

“Um … dude?” the brother-in-law says. “Did you know you’re on the Internet?”

Brian frowns. “Huh?”

“From New Orleans. I think you’re on the Internet.”

Just then, Andrea’s cell goes off. It’s her best friend from high school, who’s heard from a mutual friend that he’d seen someone who might be Brian on a football website. Andrea looks over at her husband.

“Do you know what for?” the brother-in-law asks Brian. Brian’s phone vibrates with a text message, then another from someone else. “I think I have an idea,” Brian says.

The best friend doesn’t want to tell Andrea exactly what the person who might be Brian does on that video, but she communicates the gist of it. She says she’ll send a link. Andrea’s thinking, It can’t be. That’s not Brian. Another call comes up on her phone, then a text message. Brian hangs up. He has calls coming in too and a fusillade of texts. Neither one answers.

Brian pulls his Escape to the side of the road. Andrea is shaking. She asks him what’s going on.

It is a bit of a challenge, photographically, to photograph both perpetrator and victim without casting that judgement on the subjects. I wanted, above all, to simply document them so that the reader could see them, as two human beings first.

Not to belittle the very real crime that took place, but I see them both as victims. Victims of today’s harsh online social environment. Unfortunately, no one stepped in to save either one of them from that.

Brian Downing at his home in Smiths Station, Alabama.

Garrison Stamp at his Mother’s home in Missouri City, TX.

Brian Downing at his home in Smiths Station, Alabama.

Garrison Stamp at his Mother’s home in Missouri City, TX.

I would like to thank Jim Surber and the whole gang up at ESPN Magazine for trusting me with a great story.

Quoted text by Mark Winegardner.

All images unless otherwise noted, copyright Greg Miller.

By The People

First-time voter, D’Andre Stevenson, Cuyahoga County Precinct 4 at Mount Olive Baptist Church. D’Andre’s hands were shaking as he voted. After he cast his ballot he said, “I voted for Obama. It felt good because I could vote for who I really wanted. My vote counted.”

This year I decided to head to the great city of Cleveland, Ohio to continue my Election Day project. I have been photographing polling places and voters since 2004, the year Bush defeated Kerry. That year, Esquire magazine hired me to photograph polling places and voters for a possible feature on the election. Unfortunately, the story was killed right after the elections since, it seems, there is little interest in an election after it’s over. I loved the pictures and I was forever changed by the experience of meeting and talking to the pollworkers whom, I had never really spoken to, I must confess, other than to give them my name and address. I have photographed in most of the elections since in New York, Connecticut, New Jersey, Pennsylvania and now Ohio.

It hit me the first time I photographed polling stations that this is what an American democracy looks like: a clerical exercise of shuffling papers and bean counting–not overturned cars in the street or mobs throwing Molotov cocktails. The tallying of 121,745,725 votes cast in the days after Nov 6, 2012, comes down to the service of ordinary citizens who take an oath not to interfere with the process and are paid less than $200 for the day.

Meanwhile, from the voter’s perspective, regardless of what we think about our options for who we can elect or whether we believe any great change took place, we have either retained or overthrown our government by casting one vote. The evolution of our voting laws has been a long 200 year process to finally include everyone (except convicted felons and minors). My pictures are a window into what that process looks like up close.

Pollworker, Howard Greenberg, Cuyahoga County, Bay Village Precinct at Bay High School. Howard was a paratrooper in the Philippines in World War II. “I participated in the 60th Anniversary of the Normandy Invasion on D-Day in 2004. I was 79 years old then.” He and his wife of 64 years, Selma, have been pollworkers for 10 years.

Stephen Murray, Cuyahoga County, Hunting Valley Precinct at Hunting Valley Hall. “I voted for Barack Obama. It felt like it mattered more than in previous years. It felt like there was more at stake.”

Pollworker, Rashida Jones, Cuyahoga County, Cleveland Heights Precinct at the Judson Retirement Community.

Voters at Cuyahoga County, Bay Village Precinct at Bay High School.

Pollworker John Szenger (right) with other workers, Cuyahoga County, Precinct 13 at the American Legion Post 469.

Voter, Rachel Pop with her daughter, Arianna. Cuyahoga County, Precinct 13 at American Legion Post 469.

Voters at Cuyahoga County, Bay Village Precinct at Bay High School.

Photographing Howard Greenberg at Bay High School. Photograph by Sophie Schwartz.

Election day is always a long day but this one seemed to fly by because I was in the very capable hands of Cleveland photographer Rose Marincil and Laurel High School student Sophie Schwartz, a talented photographer in her own right. I would also like to thank Mark Schwartz and Tina Katz and their daughters Emma and Sophie, for very graciously hosting me in Cleveland and Mark, who helped me plan a winding path through Cuyahoga County. And lastly, I would like to thank the Cuyahoga County Board of Elections, the beautiful Clevelanders who graciously allowed me to take their picture and the nearly 122 million Americans who voted.

Unless otherwise noted, all images copyright Greg Miller.

Good Morning, Joplin.

An oak tree grows near St. Mary's Church, Joplin, MO.

Today is the one year anniversary of the powerful tornado that devastated a large swath of Joplin, MO. I was in Joplin for a job last week. I stopped and took a few photographs on my way back to the airport. I was surprised by how much some areas still, after a year, looked in shambles, while some buildings that were completely destroyed, like big box stores, looked as if they were, well, brand new.

While driving around, at first I thought to focus on things that had been destroyed, but it took maybe 5 minutes to occur to me that that picture had been made many times in the last year. Instead I began looking for evidence of renewal. It also happened to be an absolutely gorgeous day. I met Marti Goebel taking her two daughters to the school bus stop. Marti, who had been renting before the tornando, told me that if it hadn’t been for the tornado she wouldn’t have been able to buy a home.  Habitat for Humanity helped her build her home in the devastated area. Her home and the one across the street, sit surrounded by empty foundations as far as the eye can see. Spending just two days there, meeting the few people that I met, I understood that life was harder. I knew so many people had lost their homes and for some, much more.  But as the anniversary of the tornado approached, they weren’t letting on. I thought these people are determined to rebuild.

Thank you to TIME for running the top image in this week’s magazine as well as a gallery on Lightbox.

Marti Goebel standing outside her new home, Joplin, MO.

Grace and Emma Goebel waiting for the school bus, Joplin, MO.

Tony Housley repairing fallen gravestones, Joplin, MO.

Joplin sunrise on the back of the ground glass.

 

Occupy Spring


Geodesic Dome, Occupy Hartford, 2011.

 

“Never before in all history have the inequities and the momentums of unthinking money-power been more glaringly evident to so vastly large a number of now literate, competent, and constructively thinking all-around-the-world humans. There’s a soon-to-occur critical-mass moment when the intuition of the responsibly inspired majority of humanity, in contradistinction to the angered Luddites and avenging Robin Hoods, faced with comprehensive functional discontinuity of nationally contained techno-economic system, will call for and accomplish a world-around reorientation of our planetary affairs.”

Buckminster Fuller in 1983, from The Grunch of Giants.

 

 

Today is May Day, International Worker’s Day.  The Occupy Movement has called for a day of action and general strike worldwide today. Last December, Fast Company magazine asked me to photograph eight innovators from the Occupy Movement for their 2012 Innovators issue. The magazine’s editors included the Occupy Movement in the annual list that includes the likes of Apple, Facebook and Google,  ”for embodying all the traits that make a fast company.”

Before starting the story for FC, I went over to meet some of the people at the Occupy Hartford encampment near me.  The city removed them just 2 days later.

The Movement has seen it’s donations dwindle of late. It remains to be seen if the movement can regain the momentum it had in the last year.

Amanda and Talon, Occupy Hartford, 2011.

Luke, Occupy Hartford, 2011.

Below, the March issue of Fast Company magazine.

Fast Company, March 2012.

Jan Wampler, MIT, Cambridge, MA.

Jan Wampler, MIT. The MIT architecture professor, along with student and alumni volunteers and Occupiers themselves, has helped design housing structures that can keep protesters warm in the winter.

Benjamin Phillips, Occupy Oakland, in front of the Port of Oakland.

Benjamin Phillips, Occupy OaklandAn Air Force veteran of the Iraq war, Phillips leverages his marketing and social-media expertise to facilitate accessible technology for all members of Occupy Oakland.

Emily Jacobi, Digital Democracy, New York.

Emily Jacobi, Digital DemocracyWith the OccupyVotes platform, Jacobi and her peers at Digital Democracy have created a platform that reveals the priorities of a movement that notoriously won’t list its demands.

Andy Dao and Ivan Cash, Occupy George, San Francisco.

Andy Dao and Ivan Cash, Occupy GeorgeBy stamping Occupy-related facts and figures on dollar bills, they show solidarity with the movement and annoy banks at the same time.

Malik Rahsaan, Occupy The Hood, Queens, NY.

Malik Rahsaan, Occupy the HoodRahsaan started Occupy the Hood to get people of color actively involved in the Occupy movement, bringing community-level issues to a national stage.

Isaac Wilder, Free Network Foundation.

Isaac Wilder, Free Network FoundationThe Free Network Foundation helps make the Internet and communication tools used by Occupy movements more efficient and accessible among their users, not controlled by a centralized power.

Shen Tong, Occupy Wall Street, in front of the NYSE.

Shen Tong, Occupy Wall Street. A longtime veteran of social movements dating back to China’s Tianamen Sq., Tong helps influence OWS from a philosophical view.

Joan Donovan, Interoccupy, in Zuccotti Park.

Joan Donovan, InteroccupyDonovan works on interoccupation communications, linking various local Occupy movements and connecting individual groups with celebrities, such as Sean Penn.

Photographing Jan Wampler in front of MIT. Photograph by Tina Chiappetta-Miller.

I would like to thank Fast Company’s creative team for thinking of me for this great assignment: Creative Director, Florian Bachleda, Director of Photography, Leslie Dela Vega, Photo Editor, Kathy Nguyen and Art Director Ted Keller.

Ash Wednesday 2012

From the series Unto Dust, 2012.

How time flies.  Feels like yesterday I was heading out to photograph on Ash Wednesday and now this weekend will be Easter and the beginning of Passover.

This year’s Ash Wednesday was maybe my best ever. For those of you visiting this blog for the first time, this year is my 15th year photographing towards my series Unto Dust, portraits of people that have received ashes on Ash Wednesday in midtown Manhattan. You can catch up on the back story from last year’s post here and more from previous year’s images on my website here.

I am often overwhelmed by the generosity of strangers when I am shooting on the street. That New Yorkers (and some out -of-towners) will stop and allow me the 5-10 minutes it takes to make a picture always astounds me. I was recently moved by Thomas Merton’s “Louisville epiphany” in Conjectures of a Guilty Bystander: Merton was a practising Trappist monk who one day realized that there is no separate special world of the holy:

“In Louisville, at the corner of Fourth and Walnut, in the center of the shopping district, I was suddenly overwhelmed by the realization that I loved all those people, that they were mine and I theirs, that we could not be alien to one another even though we were total strangers[...]Then it was as if I suddenly saw the secret beauty of their hearts[...]the person that each one is in God’s eyes. If only they could all see themselves as they really are. If only we could see each other that way all the time. There would be no more war, no more hatred, no more cruelty, no more greed[...]I suppose the big problem would be that we would fall down and worship each other.”

When I read this I was taken aback by how closely his connection to “total strangers” aligns with how I feel towards the people I meet on the street when I am photographing. I think Thomas Merton could have been a street photographer! My hope on this 15th anniversary of my project is that people can look at this work and, regardless of religion, see themselves and their neighbors with more compassion.

From the series Unto Dust, 2012

From the series Unto Dust, 2012.

From the series Unto Dust, 2012.

From the series Unto Dust, 2012.

From the series Unto Dust, 2012.

From the series Unto Dust, 2012.

From the series Unto Dust, 2012.

I was accompanied again this year by my friend and photographer Amy Skinner who documented the day. Many thanks to Amy, NPR Picture Show blog and the TIME tumblr blog both for featuring the project last month. And as always I am grateful to the two dozen or so people who were willing subjects this year.

photograph by Amy Skinner

Photograph by Amy Skinner

All images unless otherwise noted © Greg Miller

Happy Ash Wednesday

From the series, Unto Dust. 2011.

I am heading out to shoot.  I leave you with this.

Ash-Wednesday

by TS Eliot

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the aged eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know again
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessed face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care
Teach us to sit still.
Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.
II
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to satiety
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying
Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.
Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of the day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.
III
At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.
At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jagged, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an aged shark.
At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.
Lord, I am not worthy
Lord, I am not worthy
but speak the word only.
IV
Who walked between the violet and the violet
Who walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs
Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos
Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing
White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.
The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke no word
But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken
Till the wind shake a thousand whispers from the yew
And after this our exile
V
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.
O my people, what have I done unto thee.
Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny the voice
Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season, time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose
O my people, what have I done unto thee.
Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.
O my people.
VI
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn
Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings
And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth This is the time of tension between dying and birth The place of solitude where three dreams cross Between blue rocks But when the voices shaken from the yew-tree drift away Let the other yew be shaken and reply.
Blessed sister, holy mother, spirit of the fountain, spirit of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.

Countdown to Ash Wednesday: Tuesday

From the series, Unto Dust. 2010.

Today in regions all over the world, New Orleans, Brazil, Italy and elsewhere the celebratory season of Carnival builds to a frenzy with Mardi Gras then comes to a eerily quiet close on Wednesday. It is interesting to me that in New York, where I have photographed on Ash Wednesday all these years, with the exception of a few bars, there is little to no celebration. We have no parade here. It would appear that New Yorkers skip right to the penance. Since my pictures are of people in midtown Manhattan—people going to and coming from work (because of course it is always Wednesday, the exact middle of the work week)—the pictures have also become a collective portrait of our work ethic.

Countdown to Ash Wednesday: Monday

From the series Unto Dust, 2003.

Only two more shopping days until Ash Wednesday.

Countdown to Ash Wednesday: Sunday

`

From the series, Unto Dust, 1999.

I am counting down to Ash Wednesday, the day I revisit my annual project, Unto Dust, photographing Catholic New Yorkers who have received ashes on the first day of Lent.  I began the project 15 years ago in 1997 and have shot every year since then except 1998 (the year I decided I should make it a project).

Newt and Boy.

Newt and Boy, 2001.